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From Modes to Keys in Early Modern Music Theory by Michael R. Dodds Hardcover Bo

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162,34 €

His callings as scholar, artist, and teacher are united by a life-long fascination with the conceptualization of tonal structures, especially in the contexts of sacred music. Early Baroque mapping of vocal modality onto the keyboard catalyzed a transformationfrom the diatonic gamut to the chromatic keyboard as background pitch system, with a corresponding change from ladder to circle as the dominant model for tonal space, culminating in the circle offifths.

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