Brahms and Bruckner as Artistic Antipodes: Studies in Musical Semantics NEUF
88,98 €
In the last third of the 19 century Brahms and Bruckner were regarded as antipodes. Both wrote autonomously conceived music, both held on to traditional forms, and both rejected program music. The topic of the third part is a taboo of Bruckner research: Bruckner's relation to program music.
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